People of Color & Romance - Georgia B Page - Week Three

     While romance novels isn't a commonly talked about field when it comes to discussing race and prejudice, following the 2020 premeire of Bridgerton  on Netflix, an upsetting history of exclusion and hatred was uncovered within the depths of the romance industry. Romance is after set aside as a genre not to be taken seriously, in reality it is much larger than that. Romance makes up more than 18% of fiction sales in the United States, and has proven to be an allegory for something much more than just sappy stories - it is love and joy, and for some reason, people seem to find it unfavorable that writers express the feelings of love and joy through the eyes of BIPOC characters. 

    Romnace has had a history of excluding Black writers and their stories, as well as white writers tokenizing and writing characters of color in an unfavorable way. When romance began to pick up speed in the mid 20th century, romance novels that contained or were focused around BIPOC characters were referred to as "ethnic romance", and were often shelved as far away from the general romance section in bookstores as possible. While some people argued it was so that BIPOC readers could easily access the stories that represented them as opposed to having to dig through shelves of white-focused books, it also seemed that people did not like the idea of "Black romance" or "Asain-American romance" or "Indigenous romance", because to them, romance was inherently white, and BIPOC people did not fit in their idea of what love and joy should be or look like.

    After reading Take a Hint, Dani Brown by Talia Hibbert, the Vox News article "Bad Romance", and listening to the NPR Codeswitch episode titles "Black Kiss-tory", it became very clear that there is a need for more representation for BIPOC people in stories of love and joy. Too often, their stories are constrained to stories of their pain and suffering at the hand of white Americans, generally focused around slavery and the Civil Rights Movement. However, while it is good that these stories and experiences are being highlighted, it simply is not enough. It is crucial for young people of color to see themselves as worthy of love and happiness and joy in the way that their white counterparts are consistently told they are. 

    I think that the best way to teach this material (Black love and joy, not just romance) would be in a racial healing class or a Black joy class. I think that it is crucial that we provide spaces for people of color to not just talk about their hardships and the barriers that they face, but also be vulnerable about the good things in their lives, and learn to feel worthy of them. 

Comments

  1. What specifics would you like to see added to a Black Joy class? Where could this be added in the current curriculum?

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    1. I think that this could be added in English and Creative Writing classes, as well as a class as itself. I would like to see the active breaking down of the stereotypes of Black people being "bound to the struggle" so they can never experience their own joy, happiness, love, etc. I would also like to dive into art and poetry in this class that has nothing to do with oppression specifically but just Black people being happy. Ezra also found a podcast called "Black People Going on Adventures" that tells these types of stories so I think that could be neat.

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